



b. 216-217
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composition: Op. 42, Waltz in A♭ major
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The placement of crescendo differs slightly in particular sources. In FEG Chopin added cresc. under the last quaver in bar 216, and this is how it was reproduced by the engraver of GE1. In the next editions, GE2 (→GE3), the indication was moved slightly to the left, starting on the last quaver in bar 216. In EE the word crescendo was divided into syllables, which is a characteristic revision of the editor, and it was started at the end of bar 216. In the main text we adopt the indication of FE1, beginning in bar 217. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 217
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composition: Op. 42, Waltz in A♭ major
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The sign added in crayon in FEJ probably means the fingering number, '1'. category imprint: Differences between sources |
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b. 217
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composition: Op. 42, Waltz in A♭ major
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In the entire bar FE0 (→FE,FEG) has only two cautionary accidentals: a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 218-219
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composition: Op. 42, Waltz in A♭ major
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In both bars in FE0 (→FE,FEG) there is not any category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Omission of current key accidentals , Annotations in FEJ |
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b. 219
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composition: Op. 42, Waltz in A♭ major
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category imprint: Differences between sources issues: Cautionary accidentals |