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p. 3, b. 41-57
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The deletions in bars 41-53, visible in FES and FEJ, are continuation of an abbreviation (which started in bar 36), facilitating an amateur performance of the Etude. In both copies, it was also the beginning of bar 54 that was modified, yet an accurate interpretation of Chopin's intention is not that easy there. The suggested interpretations do not exhaust all possibilities of interpretation of these entries.
The fingering written in FES – see the note to bars 41-42.
category imprint: Interpretations within context; Differences between sources
issues: Annotations in teaching copies, Annotations in FES, Annotations in FEJ
notation: Shorthand & other
Missing markers on sources:
A, AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1