Page: 
Source: 
p. 3, b. 41-57
p. 1, b. 1-19
p. 2, b. 20-40
p. 3, b. 41-57
p. 4, b. 58-77
Main text
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 41

New  in AI & A (→FEGE,EE)

Continued  suggested by the editors

According to us, the  mark used by Chopin is to be understood as continuation of the previous one, which is indicated by the homogeneity of figurations and structural issues (four-bar section with 1+1+2 structure). In the times of Chopin, two signs  |  at the transition between the lines were commonly interchangeably used with  | .

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Hairpins denoting continuation

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1