Page: 
Source: 
p. 1, b. 1-19
p. 1, b. 1-19
p. 2, b. 20-40
p. 3, b. 41-57
p. 4, b. 58-77
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
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FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
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EE2 - First English edition
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EE4 - Revised impression of EE3
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  b. 1

in AI

in A

in FE (→GE,EE)

The change of Vivace to Lento was introduced by Chopin in a proofreading of FE (→GE,EE). The tempo indication of this Etude is the most flagrant example of the change of concept in Chopin's pieces, although a few arguments prove that the actual deceleration of the tempo could have not been that significant as it is suggested by the transition from Vivace to Lento ma non troppo. Cf. bar 21.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Errors in EE, Errors in GE, Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: A, AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1