Page: 
Source: 
p. 4, b. 58-77
p. 1, b. 1-19
p. 2, b. 20-40
p. 3, b. 41-57
p. 4, b. 58-77
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 58-59

No marks in AI & EE2

Four accents in A

Two accents in FE (→GE)

Accent in EE3

Two accents in EE4

Out of four accents in A concerning the notes, only two are in FE (→GE). At the same time, the accent in bar 58 was placed under the note in the L.H., which certainly does not follow from the notation of A. It is probably a result of inattention of the engraver of FE, yet the compliance with the parallel change in the layout of beams suggests a possibility of a coordinated action in this respect, hence Chopin's proofreading.
In #EE1 there are no accents at all, which was completed in EE3 in bar 58, while in EE4 also in bar 59. 

See b. 58-60

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1