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Issues : Omissions to cancel alteration
b. 38-40
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composition: Op. 10 No 3, Etude in E major
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The sources lack in some necessary cautionary accidentals – the fully correct text is only in GE4 (→GE5). If we take into consideration the logic of the figuration's structure, all these situations may be considered as obvious oversights, in spite of the fact that in a few cases the harmonic relations would allow to consider the created chords as possible. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 38
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composition: Op. 10 No 3, Etude in E major
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Before the top note on the 7th semiquaver, the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A |
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b. 41
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composition: Op. 10 No 3, Etude in E major
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AI lacks a few accidentals cancelling the previous alterations – on the 3rd semiquaver in the bar category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration |
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b. 48-52
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composition: Op. 10 No 3, Etude in E major
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In the autographs there are no sharps returning f
In bars 48-52, AI still lacks several accidentals, yet due to the octave doublings between the parts of both hands, it does not lead to any text doubts. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE |