Issues : FE revisions
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b. 20-21
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composition: Op. 10 No 3, Etude in E major
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The shorter slur of FE (→GE1,EE) is certainly a result of a too literal interpretation of A. Moreover, in FE (→EE) the slur was placed under the stave. The graphic layout of GE is similar to A in this respect. category imprint: Differences between sources issues: Placement of markings , GE revisions , FE revisions |
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b. 44-57
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composition: Op. 10 No 3, Etude in E major
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In the editions, when the beam combined two notes out of which one was at the end of the line of the text and the other at the beginning of the next one, one did not use broken beams – both notes were provided with stems (semiquaver or quaver). In FE (→EE) it concerns bars 44-45, 47-48, 51-52 and 55-56, while in GE – bars 44-45, 47-48, 50-51, 53-54, 57-58 and – adopted from FE – 55-56. In mUltimate Chopin we consider these differences only in the case of quavers in bars 55-56 and 57-58. Cf. bars 58-60. category imprint: Source & stylistic information issues: GE revisions , FE revisions |
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b. 55-57
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composition: Op. 10 No 3, Etude in E major
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In the editions the c and B quavers in bars 55-56 are not linked, yet provided with stems. Similarly to g at the end of bar 57 in GE. See also bars 54-57. category imprint: Differences between sources issues: GE revisions , FE revisions |
