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Op. 10 No 3, Etude in E major

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Fingering

b. 42

composition: Op. 10 No 3, Etude in E major

No fingering in AI & A (→FE→GE)

Fingering in EE

Fingering written into FES
..

The fingering in EE is an addition by Fontana. In the main text we include the digit written at the end of the bar in FES, indicating the same, natural fingering – see bars 41-42.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 46

composition: Op. 10 No 3, Etude in E major

No fingering in AI & A (→FE→GE)

Fingering in EE
..

The fingering visible in EE was added by Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 47

composition: Op. 10 No 3, Etude in E major

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 53-57

composition: Op. 10 No 3, Etude in E major

No fingering in AI & A (→FE→GE)

Fingering in EE
..

The fingering of EE is an addition of Fontana. See also bars 53-54.

category imprint: Differences between sources

issues: EE revisions

b. 75-76

composition: Op. 10 No 3, Etude in E major

No fingering in A (→FE→GE)

Fingering in EE
..

The fingering of EE was added by Fontana.

category imprint: Differences between sources

issues: EE revisions