![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : EE revisions
b. 30-31
|
composition: Op. 10 No 3, Etude in E major
..
The detailed fingering of EE comes from Fontana. category imprint: Differences between sources issues: EE revisions |
|||||||||
b. 32
|
composition: Op. 10 No 3, Etude in E major
..
The notation of accidentals is inaccurate in some of the sources, which, however, does not create any problems in interpreting Chopin's intention. It concerns mostly AI, yet in A (→FE→EE2→EE3) there is also no category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Accidental below/above the note |
|||||||||
b. 32-33
|
composition: Op. 10 No 3, Etude in E major
..
The fingering of first four pairs of semiquavers was added in EE by Fontana. category imprint: Differences between sources issues: EE revisions |
|||||||||
b. 34
|
composition: Op. 10 No 3, Etude in E major
..
The sound of d2 at the beginning of the bar does not raise any doubts both in the autographs and in FE and EE2 (→EE3). Lack of the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Authentic corrections of FE |
|||||||||
b. 34-35
|
composition: Op. 10 No 3, Etude in E major
..
In FE (→GE), omission of the pair of short category imprint: Differences between sources issues: EE revisions , Errors in FE |