Issues : EE revisions
b. 20-21
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composition: Op. 10 No 3, Etude in E major
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 21-25
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composition: Op. 10 No 3, Etude in E major
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 25-29
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composition: Op. 10 No 3, Etude in E major
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The fingering of EE, allowing for two possibilities in bar 25, is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 27
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composition: Op. 10 No 3, Etude in E major
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The long accent in A (→FE→EE2→EE3) was reproduced in GE1 (→GE1a) as hairpins after bar 25. The homogeneity was maintained in subsequent GE, extending the sign even more, for four semiquavers. This arbitrary version was repeated also in EE4. category imprint: Differences between sources issues: Long accents , EE revisions , GE revisions |
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b. 29
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composition: Op. 10 No 3, Etude in E major
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In the main text we give most probably the only (except for AI, which is devoid of indications) authentic version of articulation signs – four staccato dots written in A, traditionally meaning small accents. The remaining versions are probably a result of imposition of errors and revisions of the editors. category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE , GE revisions |