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Op. 10 No 3, Etude in E major

Text Compare Notes Sources Description

Issues : Annotations in FES

b. 42

composition: Op. 10 No 3, Etude in E major

No fingering in AI & A (→FE→GE)

Fingering in EE

Fingering written into FES
..

The fingering in EE is an addition by Fontana. In the main text we include the digit written at the end of the bar in FES, indicating the same, natural fingering – see bars 41-42.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 65

composition: Op. 10 No 3, Etude in E major

..

FE (→GE1) has an a as the 1st note of the bottom voice in the R.H. instead of a b. This patent error was corrected in FES, as well as in EE and in the subsequent GE (in GE1a in a simplified manner – by removing the ledger line without moving the note head).

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FES

b. 74

composition: Op. 10 No 3, Etude in E major

a in AI, A, EE & GE1a (→GE2→GE3→GE4→GE5)

b in FE (→GE1)
..

The version of FE (→GE1) is most probably erroneous, which is confirmed by a handwritten correction in FES. The mistake was corrected also in EE and in the subsequent GE.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FES