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b. 2-5
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composition: Op. 10 No 3, Etude in E major
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In the main text over the semiquaver motifs in bars 2, 3 and 5 we give consequent pairs of category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FE |
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b. 2-5
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composition: Op. 10 No 3, Etude in E major
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While proofreading FE (→GE,EE), Chopin introduced consistent half-bar-long slurs over the semiquaver motifs in bars 2, 3 and 5. They replaced the inaccurate and rather random slurring of the autographs. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 2-10
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composition: Op. 10 No 3, Etude in E major
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The accent over the crotchet in bar 2 was added most probably by Chopin in a proofreading of FE (→GE,EE). Taking into account the fact that the engravers often did not understand the sign of the long accent and used to reproduce it as a casual accent or – often longer – category imprint: Interpretations within context; Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 3
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composition: Op. 10 No 3, Etude in E major
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The version of GE3 (→GE4→GE5) is an example of an error resulting from shifting the note by a third. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 3-12
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composition: Op. 10 No 3, Etude in E major
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The fact of beginning the slurs in bars 3-4 and 11-12 a half of the bar earlier is undoubtedly a result of Chopin proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |