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Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-43
p. 4, b. 44-59
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 10-12

Slur in A (→FEGE)

Slurs in EE

Our suggestion

According to us, the slur written in bar 10 in A (→FEGE,EE3) represents a phase of the original, partially draft slurring of the Etude. Both in analogous bars 2-3 and 35-36 the slurs embrace the a note on the 3rd quaver of the bar (cf. the remark on bar 1) and in bars 2-3 one can also see traces of extending the slur from bar 2, so it embraces the 1st half of bar 3 too. Therefore, in the main text we suggest a slur modelled after the latter, corrected by Chopin.

In EE4 whole-bar long slurs in bars 11 and 12 were added to the slur in bar 10, which is an arbitrary addition.

See b. 9

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: EE revisions

notation: Slurs

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4