Page: 
Source: 
p. 4, b. 44-59
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-43
p. 4, b. 44-59
GE1 - First German edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 58-59

 in A

FE (→GE,EE)

It is unclear how the change in placing the  indication occurred – it may be either an error of the engraver or Chopin's correction. In this kind of endings Chopin generally embraces the entire chordal ending with , e.g., in the Etudes in C minor, No. 4 and G major, No. 5, Waltzes in E major, Op. 18 and A major, Op. 34 No. 1, Variations in B major, Op. 12 or Bolero in A minor, Op. 19. Due to this fact, in the main text we adopt the unequivocal version of A. From the practical point of view, the difference in placing  is signficant only when we adopt the dynamic concept in bars 56-58 written in FED.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4