Issues : GE revisions
b. 1
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composition: Op. 10 No 7, Etude in C major
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1-2
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composition: Op. 10 No 7, Etude in C major
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In A (→FE→EE,GE1→GE2) there are naturals before the upper notes on the last semiquaver of each group (b1). The unjustified accidentals were removed in GE3 (→GE4). Cf. bars 4 and 12, as well as 37-39. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 4-12
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composition: Op. 10 No 7, Etude in C major
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In GE3 (→GE4) a was added before b1 at the end of bar 4 and b2 in bar 12, which can be regarded as formally justified. category imprint: Differences between sources issues: GE revisions |
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b. 8
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composition: Op. 10 No 7, Etude in C major
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 15
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composition: Op. 10 No 7, Etude in C major
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In A (→FE) there is no raising f2 to f2 at the end of the bar. This patent oversight (cf. similar bar 7) was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A |