Issues : EE revisions
b. 1
|
composition: Op. 10 No 7, Etude in C major
..
In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
|||||||||||||||||
b. 1-2
|
composition: Op. 10 No 7, Etude in C major
..
In the main text we give the fingering in the R.H. written by Chopin in A and then completed in a proofreading of FE (→GE). In EE the fingering was carefully completed by Fontana, also in the L.H. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
|||||||||||||||||
b. 2
|
composition: Op. 10 No 7, Etude in C major category imprint: Differences between sources issues: EE revisions , Errors in FE |
|||||||||||||||||
b. 3-4
|
composition: Op. 10 No 7, Etude in C major
..
The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1. category imprint: Differences between sources issues: EE revisions |
|||||||||||||||||
b. 5-14
|
composition: Op. 10 No 7, Etude in C major
..
The whole-bar long slurs of EE are an arbitrary addition of the reviser who simply copied the authentic slurs from bars 1-4. The revision includes bars 5-11 in EE3 and in EE4 also bars 12-14. category imprint: Differences between sources issues: EE revisions |