Issues : Authentic corrections of FE
b. 36
|
composition: Op. 10 No 7, Etude in C major
..
The tie sustaining c was added by Chopin in a proofreading of FE (→GE,EE), same as in analogous bar 3. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||||||||||
b. 38
|
composition: Op. 10 No 7, Etude in C major
..
The rhythm of A, interpreted literally, is unclear. Aligning the notes of the L.H. under the part of the R.H. suggests that Chopin thought of an analogous version to the version of bar 34 in this place. In the main text we adopt the version of FE (→EE3), as it is the latest authentic source, while the notation therein is faultless and unequivocal. The suggested variants include also different placement and number of accents in GE and EE4, most probably or certainly non-authentic. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Rhythmic errors , Errors of A , Authentic corrections of FE |
||||||||||||||
b. 39
|
composition: Op. 10 No 7, Etude in C major
category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||||||||
b. 40
|
composition: Op. 10 No 7, Etude in C major
..
In A there is no returning c1 in the chord on the 4th quaver in the bar. This evident oversight by Chopin was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
||||||||||||||
b. 42-43
|
composition: Op. 10 No 7, Etude in C major
category imprint: Differences between sources issues: Authentic corrections of FE |