Issues : GE revisions
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b. 37-39
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composition: Op. 10 No 7, Etude in C major
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A (→FE→EE,GE1→GE2) has naturals before b1, the upper note of the last semiquaver in bars 38-39. The unnecessary accidentals were removed in GE3 (→GE4), yet adding a category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 42
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composition: Op. 10 No 7, Etude in C major
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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We consider the lack of slurs in A (→FE→GE1) to be Chopin's oversight. The revisers of EE and GE2 (→GE3→GE4) were of a similar opinion, as they added the slurs (and an accent). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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In the main text we do not include the accent, added in EE and GE2 (→GE3→GE4) by analogy to bar 45 (together with the slurs). The accentuation of these bars can be different, as they also differ in dynamic indications – in bar 47 there is no category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 48
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composition: Op. 10 No 7, Etude in C major category imprint: Differences between sources issues: GE revisions , Wedges |
before b1 at the end of bar 37, more justified from the formal point of view. Moreover, in the sources there is also an unnecessary 
mark, added during a proofreading of 
