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Issues : EE revisions
b. 6
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composition: Op. 10 No 7, Etude in C major
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A has only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE , Hairpins denoting continuation |
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b. 7-8
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composition: Op. 10 No 7, Etude in C major
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The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1. category imprint: Differences between sources issues: EE revisions |
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b. 8
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composition: Op. 10 No 7, Etude in C major
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 10-12
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composition: Op. 10 No 7, Etude in C major
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According to us, the slur written in bar 10 in A (→FE→GE,EE3) represents a phase of the original, partially draft slurring of the Etude. Both in analogous bars 2-3 and 35-36 the slurs embrace the a In EE4 whole-bar long slurs in bars 11 and 12 were added to the slur in bar 10, which is an arbitrary addition. category imprint: Interpretations within context; Editorial revisions issues: EE revisions |
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b. 15
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composition: Op. 10 No 7, Etude in C major
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The fingering of EE is Fontana's addition. category imprint: Differences between sources issues: EE revisions |