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Op. 10 No 7, Etude in C major

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b. 26

composition: Op. 10 No 7, Etude in C major

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FE overlooks the dots extending the octave in the L.H. This patent error is absent in both A and the remaining editions.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 26

composition: Op. 10 No 7, Etude in C major

 in A

No marking in FE (→GE,EE)
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 was omitted in FE (→GE,EE), most probably due to lack of space on the page.

category imprint: Differences between sources

issues: Errors in FE

b. 26

composition: Op. 10 No 7, Etude in C major

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The cautionary accidentals before f and e are our addition.

category imprint: Editorial revisions

b. 26

composition: Op. 10 No 7, Etude in C major

Fingering in A

No fingering in FE (→GE,EE)
..

The fingering of A, contrary to the remaining indications both in A (bar 1) and in FE (→GE,EE), may be an echo of the original concept or, which is more plausible, an effect of distraction – Chopin wrote digits for the upper voice (correct) and mechanically completed them with ones. The digits were omitted in FE (→GE,EE), which may be a result of the composer's proofreading.  

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 27

composition: Op. 10 No 7, Etude in C major

b-g1 in A, GE & EE

b-f1 in FE
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The version of FE is almost certainly erroneous and it was not repeated either in GE or EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions