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p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-53
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
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FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
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EE4 - Revised impression of EE3
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  b. 34

e1-f1-d1 in A

e1-f1-d1 in FE (→GE1GE1aGE2, →EE2EE3)

e1-f1-d1 in GE3 (→GE4GE5) & EE4

Chopin changed the original version (written in A) while proofreading FE (→GE1GE2, →EE2EE3). At the time of proofreading, the unnecessary  before e1 in the 2nd half of the bar was left. This may have incited the reviser of GE3 (→GE4GE5) to change e1 to e1 in the chord at the beginning of the bar (this totally arbitrary version was also repeated in EE4).
We add a cautionary  before f1 on the 2nd semiquaver.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Cautionary accidentals, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1