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p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-53
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FES - Stirling copy
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GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
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GE5 - Fifth German edition
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EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
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EE2 - First English edition
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EE4 - Revised impression of EE3
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  b. 29

C-c in A (→FEEE,GE1GE2GE3GE4)

C-c in FES & GE5

In A and the editions – except for one – there are no naturals before the 1st octave in this bar (nor a cautionary  before c2 in the middle of the bar). The harmonic context clearly indicates Chopin's oversight, which is confirmed by his entry in FES. The mistake was overlooked by the revisers until GE5.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Omission of current key accidentals, Last key signature sign

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1