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p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-53
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
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FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
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EE2 - First English edition
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EE4 - Revised impression of EE3
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  b. 7-15

Fingering in A (→FE)

GE

EE

In the context of the 1st half of bars 7 and 15, the position of the fingering digits indicates the hand with which a given note is to be performed: digits over the notes point to the R.H., digits under the notes – to the L.H. This characteristic fingering was indicated by Chopin in A (→FE) in each appearance of this place (bars 7, 15 and 47). The sense of this fingering, completed already in a proofreading of FE in the 2nd half of bar 7, was not understood by the engraver of GE who arranged all digits over the tie. Fontana also misinterpreted it, as in EE he indicated another division between the hands.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Authentic corrections of FE

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1