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Issues : Authentic corrections of FE
b. 39
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composition: Op. 10 No 6, Etude in E♭ minor
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The cautionary flats before the octave in the L.H. and b category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 42-43
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the version of the last semiquaver, introduced by Chopin in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 44-45
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composition: Op. 10 No 6, Etude in E♭ minor
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The missing tie sustaining g in A is most probably Chopin's mistake, who added it in a proofreading of FE (→GE,EE). Cf. bars 12-13. category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 45
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composition: Op. 10 No 6, Etude in E♭ minor
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Allegedly, the mark of A was supposed to have a similar range as in the significantly less carefully written bars 5 and 13. The notation of A shows signs of underdevelopment and haste in this aspect, e.g., lack of the tie sustaining g (while the tie of e
The character of the category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 46
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composition: Op. 10 No 6, Etude in E♭ minor
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In A there is no category imprint: Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |