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Issues : EE revisions
b. 32-33
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composition: Op. 10 No 6, Etude in E♭ minor
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In A the last note in the 1st half of bar 32 is f category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions , Enharmonic corrections , Authentic corrections of FE |
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b. 34
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composition: Op. 10 No 6, Etude in E♭ minor
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Chopin changed the original version (written in A) while proofreading FE (→GE1→GE2, →EE2→EE3). At the time of proofreading, the unnecessary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 38
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composition: Op. 10 No 6, Etude in E♭ minor
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In the second half of the bar A (→FE→GE1→GE1a→GE2→GE3) features accidentals effective from the first half— category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 38
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1) the rhythmic values of the upper voice do not fill the 2nd half of the bar, as the d category imprint: Differences between sources issues: EE revisions , GE revisions , Rhythmic errors , Errors of A |
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b. 38-40
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composition: Op. 10 No 6, Etude in E♭ minor
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In EE, at the beginning of each of these bars, Fontana added the fingering based on the one by Chopin from bar 17. category imprint: Differences between sources issues: EE revisions |