



Pitch
b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
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The change of the notation introduced by Chopin in a proofreading of FE (→GE,EE) manifests both the harmonic progression and rhythmic values (shorter sound of g1). In EE2 (→EE3) the quaver flag is missing. category imprint: Differences between sources issues: Different values of chord components , Enharmonic corrections |
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b. 21
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composition: Op. 10 No 6, Etude in E♭ minor category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 23
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composition: Op. 10 No 6, Etude in E♭ minor
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In the chord in the middle of the bar, Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Accidental below/above the note , Last key signature sign |
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b. 26
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composition: Op. 10 No 6, Etude in E♭ minor
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It is unclear whether the lack of the bottom note of the octave (G category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 28
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composition: Op. 10 No 6, Etude in E♭ minor
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The natural before the last note was added in the last proofreading of FE (→EE), as it was not included in GE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |