Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 6, Etude in E♭ minor
The fingering of the basic figure in the L.H. and of a few atypical combinations – the 1st finger on e1 in bars 1, 5 and analog., alternative use of fingers of both hands in bar 7 and analog. and change of fingers in bar 26 – was already marked in A. Chopin then completed these indications in a proofreading of FE (→GE), adding digits in bars 1, 2, 3-4, 7-8, 15-16. At the same time, some of the indications of A were omitted in FE (→GE), which is probably a result of an inaccurate reading of A, yet in the case of bars 1 and 9 it could have been accepted by Chopin.
In EE Fontana added the fingering in bars 1, 2, 4, 7-10, 17, 19-20, 22-31, 38-40 and 47-52.
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Fingering
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