Page: 
Source: 
p. 2, b. 24-44
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 24-27

No pedalling in A

Pedalling in FE

GE1

GE2

GE3 (→GE4GE5)

EE

Our suggestion

The pedalling added by Chopin in a proofreading of FE is inaccurately written, probably due to the lack of space in tightly packed text on the page. It resulted in different attempts of interpretation by the engravers of GE and EE. In the main text we interpret the pedalling of FE as the natural harmonic pedalling, in accordance with the one which was undeniably marked in bars 29-30.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Inaccuracies in GE, GE revisions, EE inaccuracies, Authentic corrections of FE

notation: Pedalling

Missing markers on sources: GE1