Page: 
Source: 
p. 2, b. 24-44
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
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Important
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  b. 24

Slurs & wedge in A, interpretation

Slurs in FE

Slurs in GE & EE

Our alternative suggestion

In the main text we give the articulation (slurs, without staccato sign) in the 1st half of the bar on the basis of FE, which was probably proofread by Chopin. The reason why the earlier start of the slur (from the 1st note) introduced in this edition was reproduced neither in GE nor in EE remains a mystery. An alternative suggestion with a shortened slur in the 2nd half of bar 23 refers to analogous slurs of FE in bars 24-25.

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category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in FE, EE inaccuracies, Authentic corrections of FE

notation: Slurs

Missing markers on sources: GE1