mUltimate Chopin

Op. 10 No 5, Etude in G♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 4-12

No pedalling in A

Pedalling in FE (→GE,EE)

In bars 4 and 12 we give the pedalling added by Chopin in a proofreading of FE (→GE,EE). What is striking is the fact, if we trust FE, that in analogous bar 52 Chopin wrote different indications.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Pedalling

Missing markers on sources: GE1
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