mUltimate Chopin

Op. 10 No 5, Etude in G♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
All
Important
Main
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Prezentacja
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  b. 7

No pedalling in A & FE (→GE,EE2)

Pedalling in EE3 (→EE4)

Our suggestion

A comparison with similar bar 15 suggests that the lack of pedalling in this bar may be a result of an oversight. Such a conclusion was already reached by the reviser of EE3 (→EE4).

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Pedalling

Missing markers on sources: GE1
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