Issues : Rhythmic errors
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b. 4-12
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composition: Op. 10 No 5, Etude in G♭ major
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In A d category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 5, Etude in G♭ major
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In A the first chord in the L.H. is a crotchet. The possible mistake (theoretically it could be considered as a simplified two-voice notation) was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 41-43
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composition: Op. 10 No 5, Etude in G♭ major
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In bars 41 and 43 A has the original version of the rhythm, corrected by Chopin in FE (→GE,EE). Moreover, in bar 41 the notation of A is erroneous, as there are no dots next to the crotchet on the 2nd quaver in the bar extending its value. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 85
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composition: Op. 10 No 5, Etude in G♭ major
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Despite the fact that the correct text is actually undeniable, its correct notation in the sources appears only in GE3 (→GE4→GE5). The notation of A is unclear in terms of division into voices (hands), which may have resulted in a rhythmic error of FE (→GE1→GE2, →EE2→EE3). In turn, at the time of adding minim stems in EE4, the G category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Rhythmic errors , Inaccuracies in A |
in bars 4 and 12 is a dotted minim. The mistake, corrected in 
