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Issues : Corrections in A
b. 1
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composition: Op. 10 No 5, Etude in G♭ major
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In A there are visible traces of the time signature's change: from category imprint: Corrections & alterations issues: Changes of metre , Corrections in A |
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b. 12
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composition: Op. 10 No 5, Etude in G♭ major
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In A the head of the note embraces the area of two notes, d category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A , GE revisions |
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b. 16
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the fingering digit over the 1st note is most probably an error of the engraver of FE (→GE,EE). Moreover, the status of the last digit in the editions is also not entirely clear in this bar. In A there are traces of a correction in this place, which could have been considered as '1' (perhaps Chopin started writing another a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Authentic corrections of FE |
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b. 17-22
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composition: Op. 10 No 5, Etude in G♭ major
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According to us, three In A the b
category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Long accents , Corrections in A , Accompaniment changes , Authentic corrections of FE |
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b. 52
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composition: Op. 10 No 5, Etude in G♭ major
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In A Chopin erased the 9th semiquaver and wrote a different one, most probably e category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Corrections in A , GE revisions , Main-line changes |