Issues : Errors in EE
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b. 5-6
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composition: Op. 10 No 5, Etude in G♭ major
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The only staccato sign in A is the wedge at the beginning of bar 6. The dots in bars 6 were added by Chopin in a proofreading of FE (→GE1→GE1a→GE2 category imprint: Differences between sources issues: EE revisions , Errors in EE , Authentic corrections of FE |
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b. 7
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composition: Op. 10 No 5, Etude in G♭ major
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EE2 does not have the accent added in EE3 (→EE4) together with staccato dots under the quavers (probably by analogy with bar 15). In GE a short accent was applied and moved over the crotchet. In the main text we preserve the notation of A (→FE). category imprint: Differences between sources issues: Long accents , EE revisions , Placement of markings , Errors in EE , GE revisions |
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b. 24-25
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the wedges over the topmost notes in bar 24 in EE and in bar 25 in GE2-GE5 is certainly a result of the engravers' errors. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 25
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composition: Op. 10 No 5, Etude in G♭ major
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The wedge over the 1st octave, written in A, was reproduced as a dot in FE (→GE,EE; omitted in EE2). category imprint: Differences between sources issues: Errors in EE , Wedges |
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b. 27-28
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composition: Op. 10 No 5, Etude in G♭ major
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The slur of A was inaccurately reproduced in FE, as the part falling on bar 27 (the last in the line) was omitted. Perhaps it contributed to its omission in EE2. The sign was added in later EE,s. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Errors in EE |
