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Issues : Inaccuracies in FE
b. 64
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composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 65
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composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 69-74
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composition: Op. 10 No 5, Etude in G♭ major
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In FE (→GE,EE) the word cresc. was placed clearly earlier than in A on two occasions – at the end of bars 69 and 73. In the main text we reproduce the notation of A. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 72-73
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the tie sustaining d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in EE , Errors of A , Authentic corrections of FE |
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b. 73-74
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composition: Op. 10 No 5, Etude in G♭ major
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Two long accents in FE (→GE1→GE1a) were certainly added by Chopin. They confirm the way in which Chopin understood all signs written with the first appearance of this phrase (bars 69-70). All subsequent versions are undoubtedly a result of inaccuracy or revision. We suggest to add the accent in the 2nd half of bar 74, as it seems highly unlikely that Chopin would want the last motif to be performed in a different way. category imprint: Differences between sources; Editorial revisions issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE , Errors in EE , GE revisions , Authentic corrections of FE |