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Issues : Authentic corrections of FE
b. 15
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dots under the quavers were added by Chopin while proofreading FE (→GE,EE). In GE a short accent was applied, moreover, in GE1 (→GE1a) and again in GE5 the mark was moved over the crotchet. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Placement of markings , GE revisions , Authentic corrections of FE |
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b. 16
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the fingering digit over the 1st note is most probably an error of the engraver of FE (→GE,EE). Moreover, the status of the last digit in the editions is also not entirely clear in this bar. In A there are traces of a correction in this place, which could have been considered as '1' (perhaps Chopin started writing another a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Authentic corrections of FE |
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b. 16
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composition: Op. 10 No 5, Etude in G♭ major
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The category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 16
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composition: Op. 10 No 5, Etude in G♭ major
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Chopin removed the slur and crotchet stem and added staccato dots in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 17-19
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composition: Op. 10 No 5, Etude in G♭ major
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Chopin added category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |