Articulation, Accents, Hairpins
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b. 23
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of wedge in this place is undoubtedly a result of distraction – cf. three subsequent bars. category imprint: Editorial revisions |
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b. 24-25
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the wedges over the topmost notes in bar 24 in EE and in bar 25 in GE2-GE5 is certainly a result of the engravers' errors. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 24
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composition: Op. 10 No 5, Etude in G♭ major
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In FE (→GE,EE), omitting the wedge written over the 1st semiquaver in A may be a result of Chopin's proofreading. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 24
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the wedge written over the 1st quaver in A (→FE→GE1,EE). From GE2 on, the sign was changed into a dot. In all GE,s a dot over the chord on the 2nd quaver was also added. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 25
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composition: Op. 10 No 5, Etude in G♭ major
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The wedge over the 1st octave, written in A, was reproduced as a dot in FE (→GE,EE; omitted in EE2). category imprint: Differences between sources issues: Errors in EE , Wedges |
