Issues : Authentic corrections of FE

b. 41-44

composition: Op. 10 No 5, Etude in G♭ major

No pedalling in A

Pedalling in FE (→GE,EE)

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The pedalling was added by Chopin in a proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 41-43

composition: Op. 10 No 5, Etude in G♭ major

Rhythm in A, interpretation

FE (→GE,EE)

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In bars 41 and 43 A has the original version of the rhythm, corrected by Chopin in FE (→GE,EE). Moreover, in bar 41 the notation of A is erroneous, as there are no dots next to the crotchet on the 2nd quaver in the bar extending its value.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Rhythmic errors , Errors of A , Authentic corrections of FE

b. 41-42

composition: Op. 10 No 5, Etude in G♭ major

Fingering in A

FE (→GE,EE)

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In the main text we give the corrected by Chopin fingering of FE (→GE,EE).

category imprint: Differences between sources; Corrections & alterations

issues: Differences in fingering , Authentic corrections of FE

b. 41-43

composition: Op. 10 No 5, Etude in G♭ major

No marks in A

Dot in FE

Dots in GE1 (→GE2), EE & GE4 (→GE5)

Dot in GE3

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The staccato dot at the beginning of bar 41 was added by Chopin – together with the dots at the beginning of bars 45 and 47 – in a proofreading of FE. In this situation, we consider the lack of the relevant sign in bar 43 as an oversight. The dot was also added both in GE and EE. Lack of the dot in GE3 in bar 41 is a patent error.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE

b. 41

composition: Op. 10 No 5, Etude in G♭ major

No marking in A & GE

 in FE (→EE)

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The direction  was added by Chopin while proofreading FE (→EE). The lack of the indication in GE possibly means that it was among the latest Chopin's corrections of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE