Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 5, Etude in G♭ major
All articulation indications and accents in bars 79-84 were added by Chopin in a proofreading of FE (→EE). However, the attention is drawn by the fact that the slurs were introduced in the entire four-bar section, yet the accents appear only in bars 79-80. It is unclear whether it is a result of distraction (Chopin's or the engraver's) or a conscious decision of the composer, which, after all, does not have to indicate a change in the performance manner, as the accents in bars 79-80 may be interpreted as a model valid until the end of bar 82.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins
