Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 5, Etude in G♭ major
The staccato dots in bars 1-3, 9-11 and 13-15, added in a proofreading of FE (→GE,EE), are an element of Chopin's comprehensive elaboration of the performance markings of the first section of the Etude. In A there are only four wedges at the beginning of bar 2 and analog. See also the remark concerning bars 5-6.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins