Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 5, Etude in G♭ major
, 
, cresc. in All dynamic markings in bars 1-3, 5-6, 9-11 and 13-15 were added by Chopin in a proofreading of FE (→GE,EE). At the same time, it can be assumed that it was a change of the dynamic concept and not its clarification, which is proved by the parallel change of leggierissimo to brillante in bar 1 and reduction of the number of notes in the chords in bar 2 and analog.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: No initial dynamic marking, Authentic corrections of FE
notation: Verbal indications
