Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 5, Etude in G♭ major
at the beginning of the octave run certainly corresponds to a performance intended by Chopin. The notation of A is an instance of Chopin's using a convention of placing indications inside, and not at the beginning of the range in which they apply.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE, Centrally placed marks
notation: Verbal indications
