Issues : Errors of A
b. 19
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composition: Op. 10 No 11, Etude in E♭ major
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In A Chopin did not write arpeggio wavy lines next to the chords in the L.H. in the entire bar, which is certainly an oversight. category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 22
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no lowering g to g in the 1st chord in the L.H. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 23
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no lowering c3 to c3 in the 1st chord in the R.H. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Errors of A , Authentic corrections of FE |
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b. 24
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composition: Op. 10 No 11, Etude in E♭ major
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Lack of flats returning e in the last chord in A (→FE→GE1,EE3) is certainly Chopin's oversight. The accidentals were added in FED and GE2 (→GE3→GE4) and EE4. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Omissions to cancel alteration , Errors of A |
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b. 26-32
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composition: Op. 10 No 11, Etude in E♭ major
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From the 2nd quaver in bar 26 in the R.H. and from the 3rd quaver in bar 27 in the L.H. there are no arpeggio marks in A until the end of bar 32. It is undoubtedly a result of Chopin's distraction. The wavy lines were added in a proofing of FE (→GE,EE), yet in FE the 1st chord in bar 29 was omitted. category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A , Authentic corrections of FE |