Issues : EE revisions
b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we give the wedge written in A, most probably overlooked in FE (→GE). In EE a dot was added in this place. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Wedges |
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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we do not include the fingering added by Fontana in EE. category imprint: Differences between sources issues: EE revisions |
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b. 44-47
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composition: Op. 10 No 11, Etude in E♭ major
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The marks written in A in bars 44 and 46 mean – same as in bar 33 – pedale come prima. Due to the fact that in analogous bars 25-28 Chopin marked a detailed pedalling, in the main text we suggest an addition based on these indications. The marks appearing in the editions are certainly an addition of engravers or revisers. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , FE revisions , No pedal release mark |
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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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In FE the inner note of the chord on the 4th quaver is an erroneous a2. This patent error was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 44-46
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composition: Op. 10 No 11, Etude in E♭ major
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In A in bars 44 and 46 only the first out of four necessary flats lowering d1/2 to d1/2 is included. In FE two missing signs were added, apart from the accidental in the R.H. in bar 46 (which, in turn, was added in FED). In the remaining editions the notation is correct. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Authentic corrections of FE |