Issues : Authentic corrections of FE
b. 32
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composition: Op. 10 No 11, Etude in E♭ major
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In the sources there are two versions of the inner note of the 5th quaver:
The second version is certainly later and as such it should be considered as the main one. In relation to the aforementioned doubts, in the main text we adopt the certainly authentic version with c3. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Cautionary accidentals , Authentic corrections of FE |
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b. 33-34
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composition: Op. 10 No 11, Etude in E♭ major
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According to us, A presents the only reliable pedalling version of these bars and the following sections of the Etude. The versions included in the editions are probably a result of an error of FE, the attempt of its later correction by Chopin in the last proofing and the subsequent arbitrary additions by the revisers of GE and EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE , No pedal release mark , Inaccuracies in A |
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b. 33
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composition: Op. 10 No 11, Etude in E♭ major
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In this context lack of staccato marks in A is Chopin's oversight, which is proved by dots added in FE (→GE,EE). According to us, while the proofreading undoubtedly confirms Chopin's intention to perform the quavers staccato, the kind of the used marks (dots) does not have to be considered as valid, as the engraver of FE was only occasionally able to recognise Chopin's wedges and Chopin himself, while proofreading FE, could adapt himself to the marks he saw already printed in the corrected text, i.e. dots. Due to this fact, in the main text we suggest varied marks, based on bar 1 and compliant with the marks which, on the basis of A, we adopted in the main text in the entire Etude. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 35
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composition: Op. 10 No 11, Etude in E♭ major
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The missing arpeggios in the R.H. in A are certainly Chopin's oversight. category imprint: Differences between sources issues: Authentic corrections of FE , Inaccuracies in A |
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b. 36
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composition: Op. 10 No 11, Etude in E♭ major
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The chord without g is probably the original version, left due to inaccuracy. It is proved by a number of other inaccuracies of A in this bar. In the main text we give the corrected by Chopin version of FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |