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Issues : EE revisions
b. 26-32
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composition: Op. 10 No 11, Etude in E♭ major
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From the 2nd quaver in bar 26 in the R.H. and from the 3rd quaver in bar 27 in the L.H. there are no arpeggio marks in A until the end of bar 32. It is undoubtedly a result of Chopin's distraction. The wavy lines were added in a proofing of FE (→GE,EE), yet in FE the 1st chord in bar 29 was omitted. category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A , Authentic corrections of FE |
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b. 27-29
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composition: Op. 10 No 11, Etude in E♭ major
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In bars 27 and 29 there are no cautionary accidentals in A. The flat before e category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 30
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composition: Op. 10 No 11, Etude in E♭ major
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The change of f1 to f category imprint: Differences between sources issues: EE revisions |
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b. 31
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composition: Op. 10 No 11, Etude in E♭ major
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In the 1st chord in A (→FE1→GE1,EE3) there is no cautionary
A cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 32
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composition: Op. 10 No 11, Etude in E♭ major
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The cautionary category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |