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Issues : Authentic corrections of FE
b. 18
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composition: Op. 10 No 11, Etude in E♭ major
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The text does not raise any doubts here, yet the notation of accidentals differs in particular sources and it is not always precise. In FE the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 19
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composition: Op. 10 No 11, Etude in E♭ major
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In A Chopin did not write arpeggio wavy lines next to the chords in the L.H. in the entire bar, which is certainly an oversight. category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 22
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 22
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composition: Op. 10 No 11, Etude in E♭ major
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The change of the bottom note in the 3rd chord from g category imprint: Differences between sources; Corrections & alterations |
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b. 23
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composition: Op. 10 No 11, Etude in E♭ major
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Three cautionary naturals before the 3rd quaver in the bar are present in A, yet they were removed in a proofing of FE (→GE1,EE3). It seems to be Chopin's mistake, as after d category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |