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Issues : Authentic corrections of FE
b. 11-12
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composition: Op. 10 No 11, Etude in E♭ major
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In A these bars are not written out, only marked as a repetition of bars 3-4. However, unlike in A, in FE (→GE,EE) the category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 14-15
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composition: Op. 10 No 11, Etude in E♭ major
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In A the bars are not written out, so we repeat here our interpretation of slurs in bars 6-7. The continuous slur in FE (→GE,EE) was probably included by Chopin while proofreading FE (cf. the second paragraph of the remark concerning bars 6-7). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 16
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no category imprint: Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
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b. 17-25
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composition: Op. 10 No 11, Etude in E♭ major
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At the beginning of bars 17, 19, 23 and 25 A includes category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Corrections in A , Authentic corrections of FE |
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b. 17
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composition: Op. 10 No 11, Etude in E♭ major
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It is hard to determine what prompted Chopin (?) to enharmonically change the correct orthography of A to a simplified notation of FE (→GE,EE). In the main text we give the notation of A. category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |