EE3
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
compare
  b. 50-51

  in A

 in FE (→GE)

 in EE

In the main text we give the pairs of dynamic hairpins after A. We interpret the very short marks at the end of the bars, resembling accents, as diminuendos due to the analogy with motifs in bars 1-2 and analog. In the editions only the  marks were considered, which, according to us, is an arbitrary decision of the engraver of FE, stemming from a misunderstanding of the manuscript. The range of these marks were subject to further distortions in GE (minimal) and EE.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Go to the music

Original in: Royal Academy of Music, London