Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 11, Etude in E♭ major
In A in bar 4 (and bar 12, which repeats this bar) the 
hairpins embrace with their range the 2nd and 3rd chords in the bar. This is how it was more or less reproduced in FE, yet minor inaccuracies caused that in GE the sign in bar 12 was given a form of an accent, while in EE in both bars it was printed one quaver too early.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in GE, Inaccuracies in FE, Scope of dynamic hairpins, EE inaccuracies
notation: Articulation, Accents, Hairpins
